The two times I bought Stink and how wrong I can be

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Hard of hearing, eh? That explains so much.
I suppose you pick on people in wheelchairs too.
Only when they proclaim shitty records to be masterpieces.
What shitty record did I proclaim a masterpiece?
Stink. Sorry, Ma... I haven't heard your thought on Hootenanny, but I can hazard a guess.
Have you ever even listened to those records? I thought fast-paced punk-alt-rock was out of your comfort zone. Of course you don't like it, it might make you shake your ass.
I have listened to them. You seem to forget that I actually like the Replacements' good records. I bought Sorry, Ma... years ago and I never listen to it because it sucks ass.
You just like the 'Mats stuff that you are more comfortable with. Heaven forbid you try to listen to something outside your HCOIRO-approved, post-ironic hipster-shoe-gazing sanctioned music. Free your mind, hotrod, and the rest will follow.
I just like the Mats stuff that is good.
I bought a headache is brilliant. Go is genius. You're stupid and have bad taste.
I don't know the songs well enough to refute them on an individual basis. So I'll just reiterate that my excellent and distinguished taste led me to the conclusion that everything on the first three Mats records sucks. Also sucking: most of Let it Be.
AARGH! You're just being contrary and trying to piss me off. Why do you hate me so much?
I'm not being contrary and I don't hate you. I'm trying to help you and keep you from wasting your valuable time listening to bad records.
So what I should spend all my time listening to, crap, the desert island record you love so much you always forget about it?
last week you were fretting about how you "forgot" on of your favorite albums of all time. An album so good that it's obviously totally forgettable.

I like my music to be memorable.
Well I listen to more than just one band, and have tons of memorable CD's. Of course it's easier for you to keep track.
You might listen to a lot of bands, but they all the sound the same. I can see why you find them so easily forgettable.
Uh huh. At least that "same" is "good," which is more than can be said for early Mats records.
You wouldn't know good if it invited you out for dinner. You listen to the same thing over and over and over, that does not make it good.

(Have you seen the Prince video of Radiohead's Creep?)
A/ I don't listen to the same thing over and over.

B/ I wonder how you'd feel about the Replacements if they were from, say... Fort Wayne, Indiana or Davenport, Iowa or some other nowheresville midwestern city other than the one in which you reside. Because I bet we wouldn't be having this argument. I can think of a lot of reasons for liking bands but I can think few that carry less weight than geography.
You don't call it the same thing, but it all sounds the same.

And I like The Replacements because they are good. Geography has nothing to do with it.
Uh huh. And what a delightful coincidence that the best band of all time ever grew up across the street from you.
I can't help it if Minnesota produces a bunch of artistic geniuses. It must be something in our water.
Friends. Mellencamp. Etc. etc.

I wonder if I can get one of my techie friends to write a program that posts variations on my stable of Rembran....er...Replacements jokes every time they come up in Vox conversation. That would save me a lot of time.
Aren't jokes by their very definition funny? Those little quips aren't funny.
I could say that punk music, by its very definition, is vital, angry and interesting. Yet there you are insisting that stupid songs about boners somehow qualify. Sometimes we have to broaden the definition of words.
Look, I'm proud of where I am from too. Really, I am. And while I'd love to proclaim that Jamie Farr and Katie Holmes are the greatest actor and actress of our time, everyone would immediately recognize for the bullshit homerism that it is. Anybody can see that neither represent the acme of their craft. Just like anybody can hear that the Replacements' early records are utter shit. Which brings us back full circle. I'm sorry you have hearing problems. You're truly missing out on all the subtle nuances that make music great. But maybe you should stick to Sweet Valley High books and leave the rock criticism to those of us who can distinguish good from, well... The Replacements.
Every rock critic on the planet bows at the altar of The Replacements. They're given all kinds of mad props for being a huge influence on most everything that came after them.
I don't recall mentioning anything about Gary's Got a Boner. You judge a bands entire catalog on one song?
When the Replacements are remembered (and as time goes on they are remembered less and less frequently - hence the need to remind everybody they ever existed by reissuing their records), they are remembered for their late catalog pop songs. The only person besides you who misguidedly believe their early juvenile pseudo-punk songs are worth a shit is that d-bag who wrote Our Band Could Be Your Life. And he's easily dismissed because he's retarded.
You're so cute when you try to bend pop culture and history to fit into your twisted view of how things are.
You mean reality?
I know where you live and it is not in reality. Nice try though.
How can I possibly live outside reality? Are you suggesting I am a figment of your imagination? If you are, maybe you want to get some help.

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Jodi

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